I did do some writing on media about death previously:
https://sporkful.blogspot.com/2020/01/a-year-or-so-of-magical-reading.html
Even though that post title indicates a focus on reading, the arc on Blackish where Bow's father dies had a big impact.
There were movies that were part of this too, with mixed results.
The Farewell (2019)
This one touched me a lot. I did actually reference (though not very much) it in a different blog post:
https://sporkful.blogspot.com/2024/07/movies-for-apahm-2024.html
That timing is weird to me. I seem to remember seeing it in the theater, which should have been around 2019 or 2020, but I did not write about it until 2024? Or maybe I had just been holding on to it, not really completely processing it.
It appears that I saw it while I was still a full-time caregiver; I can't imagine why I had to put off writing about it.
In the movie, the grandmother of a large family has cancer that it is assumed will be fatal. They decide to keep it from her, but hold a wedding so all of the family will come together and can spend time with her. One granddaughter is especially struggling with it, though you do see the pressure on the grandson getting married as well.
We can only assume that Nai-Nai's children and extended family are having struggles that they are not showing.
The granddaughter's father takes her aside and explains that they are carrying the burden for the grandmother.
There is a level at which I still don't know how I feel about that. It can be beautiful to help people with their burdens, but I hate not having knowledge. If the grandmother would have specific things she wanted to do to prepare for death, they are not giving her the chance. They seem to be thinking that knowing would overshadow everything, and it might.
Making plans without knowing outcomes is part of life.
(As it is, it was based on filmmaker Lulu Wang's real family, and her grandmother lived at least six years past her diagnosis. She did find out because of the movie.)
What I do know is how hard it hit that we (especially me) were carrying the burden for my mother.
Because of her mother, Alzheimer's was a big fear for her. It could have been horrible for her as she felt things slipping away, but through a combination of denial and not being able to perceive and know plus forgetting things that did sink in, in many ways her suffering has been relatively light. As she started to not be able to have peace in the house, she moved into residential care and found an active social life where she was very popular. She became carefree in a way that she never was before.
Back at home we are still feeling it. We are going to be feeling it for a while.
Shadowlands (1993)
I know I saw this much after its release, and I have to say I hated it.
I love C.S. Lewis, and I like A Grief Observed, which I assumed had influenced this.
First of all, this movie, based on a play, is pretty boring, even with some good actors in it.
I don't hate it because it's boring, but because I think it is so completely false to the real people that they should have made it straight fiction.
I don't object to them only showing one of her sons; combining characters is pretty normal.
Lewis was indeed caught by surprise by falling in love with Joy. It did change things for him, but the film portrayed him as this barely awake to humanity recluse who only came alive because of her.
Before Joy, Lewis was a soldier, he had a long-term relationship with another woman, and he had to care for a very alcoholic brother. These are mostly things I know from other people who hated the film, but they aren't hard to fine. One former schoolmate described Lewis as "riotously amusing."
Because the writer has no idea of Lewis as a person, we have a Lewis who has to learn to live not just from Joy but also from a fictional student who falls asleep in class because he stays up late reading books that he steals.
You can do that without taking up a spot at Cambridge!
It's like the worst fan fiction where the writers are trying to correct the flaws in a work that they couldn't understand because it didn't align closely enough to their experiences and worldview. (Which makes it weird that there is a line about books helping us not be lonely, because if you can't learn to understand other points of view from books, what are you even doing?)
I guess it's good if sometimes the media you are watching for one specific purpose does not really work with that purpose.
I probably did cry when Joy died, but it didn't stay with me.
I am still mad about this movie years later. I kind of want to hold it against James Frain, who played the narcoleptic kleptomaniac, but he is a good actor. It's not his fault. It's the playwright.
If at some point I decide to watch The Farewell again, there might be value in it and there would certainly be emotion in it.
Shadowlands does not merit any more viewings.