Specifically, that task was to check the details on specific screenwriting contests and see about entering.
There are some really negative feelings out there about screenwriting contests in general. A lot of industry insiders will tell you that the only one that has any real worth is the Nicholl fellowship, and maybe they will give some credit to Scriptapalooza. The issue is that if the judges aren’t people who can really buy your script, then there’s not much value in having those people read it.
I get that, but they say it in conjunction with “Sure, maybe you will win some money.” I would love to win some money. I would be all for it. Also, winning is still something that you can say to possibly give you some credibility, even if it is only a small boost.
My issue is that there is always an entry fee, and sometimes that just isn’t something I can swing. They usually aren’t even that expensive, but I have been pretty broke.
In this case, I ended up skipping The Big Break, but entering Past Present in the Nicholls Fellowship, and Coulrophobia and Sisters of Justice in Script PIMP (PIMP stands for Pipeline Into Motion Pictures, so get your mind out of the gutter).
Script PIMP announces in November, I think. The second round of the Nicholls is going on, but I did not make it in. That was pretty disappointing, but the competition is really stiff. That is one contest that truly does give you exposure, and quite a decent prize.
There are more contests going on all the time, so there is always the opportunity to enter—you just have to know that it may not mean anything.
Disco Sweat (20/70)
Wall sits
Luke 10 – Luke 18
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