Every time I am reviewing Reggie and the Full Effect it is tempting to just say "So good!". As accurate as that would be, it still isn't very enlightening, so let me try a little harder.
As it is, in retrospect I probably shouldn't have done the album review last month. At the time I wasn't sure if I could make it to the concert. I am still glad that I did an in-depth listening to the album, and glad that I saw the performance from the previous year (April 28th 2017 at Revolution Hall) that I did not review. This review will try and put them all together with the most recent show (March 27th 2018 at the Hawthorne Theater).
For both shows, James Dewees has been backed by members of Pentimento, one of the bands that toured with him in 2014 (that show was on Super Bowl Sunday at Branx).
The Revolution Hall set was practically perfect and everyone sounded great. I did mention that in the album review. What I didn't mention was at the time picking up on this sadness and wondering if it had been there all along and I had missed it, or if it was new. Then I remembered that his mother had died, and it was about at the anniversary of that. That and another death and a divorce all went into 41, which is a beautiful and a sad album.
(I don't think this is the article I remember reading, but it covers some of the same information: https://mediamikes.com/2018/01/reggie-full-effect-frontman-james-dewees-talks-bands-latest-album-41/)
Given all of that going in, I didn't really know what to expect. I definitely didn't expect that they were going to open with "Guerrera". That was explained as a sound check problem where they needed to start with a song where they were all playing the same note, but what you get is a song that rocks pretty hard. Then the "F--- you aliens" refrain was dropped, I had to wonder if the song had been shortened, and if maybe things were getting faster and harder and more punk.
It did feel like there was more of an emphasis on guitar than synth than in previous shows but I can't swear to it. Historically there has always been plenty of strong guitar on Reggie albums.
Mainly, I was just impressed at how it could be so different and still so good. It's the same musicians, so it's not a lineup change that makes the difference. It probably helps that they have been working together for a while now, but they were great a year ago too.
I'm sure it helps that they are all into it. They might have seemed a bit more free this time, but I was also closer to the stage so I may have just noticed different things.
(Regardless, I swear Vincent Caito is the liveliest bass player ever.)
It's not like I don't know that music can be powerful, and that different types of music can stir us in different ways and that there is a wide range of how to be good.
I remain impressed at how many things James Dewees can do well, and that he can then make changes and adjustments and only make them better. I remain impressed at the beauty he can take out of a horrible year.
And all of those words basically come down to "So good!"
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