Tuesday, October 20, 2020

Listening to Black women 101

One frustrating thing this year is how many more people are saying to listen to Black women, then don't really do it, or get mad when Black women don't say what they want to hear. 

I hope the long lead-in to why we listen laid groundwork. I am glad that we had the movie break; that post about Deja getting fridged is relevant.

First, let's build some vocabulary. There is a name for the intersection of white supremacy, anti-Blackness, and misogyny; that word is misogynoir. It was coined by Moya Bailey as she encountered the concept while looking at the treatment of women in hip-hop. That is only one venue where misogynoir happens.

Now, I think a good step going forward is to build on this article and deal with some common stereotypes. My notes are not a substitute for reading the article.

https://everydayfeminism.com/2015/08/4-tired-tropes-misogynoir/ 

Obviously one of the big themes in racism is failure to see a person as a unique individual, instead assuming various traits. Kesiena Boom focuses on four tropes, but they are not mutually exclusive. One woman may be perceived in different ways by different people, or at different times.

1. The Sassy Black Woman

Boom has been on the receiving end of this minimization, and that sucks. What it makes me think of most is how often Black women get mocked for something, and then it gets appropriated and is cool once white people use it, but in kind of an ironic way. I would say a good example is Kayla Newman coming up with "on fleek" and not getting credit, but after that happened initially, people did work to give her credit. Newman is growing her brand. 

If the trend is to not credit Black women, we are not doomed to repeat that. It has nonetheless been a huge problem to get Black women credited and paid.

Likewise, people are getting better about crediting Tarana Burke for #metoo, and that kind of leads us to...

2. The Hypersexual Jezebel

Boom gives a few examples of being sexualized by strange men herself. They are disturbing, but there is a good chance that other women of other races have had similar experiences. There are different backgrounds to the sexualization of Asian, Latina, and Native American women, and also some men are so creepy that they can always find a reason to sexualize you. 

However, I remember via online discussions among women about the first time being catcalled or groped, and noticing early on that Black women seemed to have it start younger (by about four years) and often be more invasive, like getting escalating to groping sooner instead of remaining verbal. 

Some of that may be lingering effects of the mindset of slavery, where Black people were viewed as property that could be owned. It is probably also a factor that Black people are not allowed the same length of childhood. At 32, Ryan Lochte could be described as a stupid kid when was arrested, but at 18 Michael Brown was a demon and a monster, and at 17 Kalief Browder could be locked up for 3 years awaiting trial because of a backpack that was not found on him (and may never have existed, based on very sketchy witnesses). Okay, the time in jail did age him, I guess; it did something. 

There is a lot that is gross about this trope, but the irony that kills me is that it was used to justify rape of Black women, while at the same time Black men were portrayed as the sexual predators going after white women. It may be the most hypocritical stereotype. 

Fun fact: One part of Rosa Parks' early activism was interviewing rape victims.

3. The Angry Black Woman

I have witnessed this in an online group run by some very nice white women. They invited a Black woman to also be an admin, because "diversity" and "other viewpoints". The first time she pointed out something was racist, they felt so persecuted and attacked. It never occurred to them that she had a point, or even that she could have been wrong but with no bad intentions; she was an enemy, out to get them, and they were very hurt.

I left the group, but from what I remember, they are nice ladies, for the most part; they just can't deal with the way they have internalized structural racism. As much as the "nice" sounds sarcastic, it isn't if you think about niceness referring to things being calm and untroubled on the surface. That's just no way to bring about any valuable change. That kind of niceness won't do if you want equality.

I mention it because it is really easy to do without intending to. You have to actively root that racism out. 

Also, a fun part of this one is that The Angry Black Women relates directly to...

4. The Strong Black Woman

It sounds complimentary, right? She is strong; she can handle thing! And she is so nurturing too, caring about issues and guiding us, and dispensing wisdom for us.

So this is where it is really easy to exploit Black women, because they know so much and they are so strong that they don't really need support or reimbursement or credit. That is why it is so easy to suddenly view them as angry if they express any displeasure or ask for reimbursement or don't want to listen to your problems or do anything that isn't self-effacing. How dare they?

But also when they try to revel in their glory, they are reduced back to sassy.

And it's a rotten thing to put on anyone, but it's been going on for a while. Zora Neale Hurston called Black women "the mules of the world" in Their Eyes Were Watching God. That was 1937. 

And all of the tropes suck. It sucks to not have your full humanity recognized. 

Let's fix this. Now.

I think I can complete this in one more post.

Side note:

If you are wondering if there is correlation with the Nina Simone song, "Four Women"... yes, though I am not sure if it was intentional. 

Roughly, Sweet Thing could be the Hypersexual Jezebel, Peaches could be the Angry Black Woman, and Aunt Sarah could be the Strong Black Woman. 

Saffronia is not represented here, and perhaps would not be, because the mixed race product of rape would be uncomfortable to deal with; these tropes are supposed to allow for easy definition, without complexity. And yet, Saffronia exists because it was so easy to say they were all Jezebels, but only Sweet Thing got paid for it.

There is no Sassy Black Woman in the song, but TV tropes dates that to the '70s, and the song is from 1966.

https://tvtropes.org/pmwiki/pmwiki.php/Main/SassyBlackWoman

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