Friday, July 07, 2017

Band Review: Jaiz


Jaiz is the hip hop persona of Jeremy Gentile.

His most traditional hip hop track is probably "Attention Whore". Other tracks are frequently driven more by melody than beat. "My Brother" is more sung than spoken, though there is more traditional rapping in the bridge. That might be a nice change for hip hop fans who are looking for something different.

The best track may be "Break Free", featuring Ashleigh Munn, but overall the music did not make a strong impression.




Thursday, July 06, 2017

Band Review: Scarlet Kill


When you first go to Scarlet Kill's main page, there are three videos, one of which ("My Dear") shows the lead singer with his face covered in blood. Between that and the name I assumed that it would be some sort of metal or hard core band.

Instead, the video for "My Dear" follows the crash that ends the video for "Don't Wake Up", where a young couple had been driving along blissfully right up until the blaze of lights and shattering glass.

That immediately reminded me of Brand New's video for "The Quiet Things That No One Ever Knows", but also many '60s ballads of young love being cut short by death. Those seemingly disparate musical moments have intersected before, like when Pearl Jam covered "Last Kiss".

Scarlett Kill falls a little closer to the 60s sound, though it does not appear that all of their songs have fatal themes. It still tends to be more melodic and earnest than punk (without sounding quite emo, either).  Bands they cover include Ed Sheeran, Goo Goo Dolls, and Green Day, so still going back and forth between sentimental and punk.

Songs are well performed and the band (composed of friends and brothers) appears to be having a good time. They may still need to dig a little deeper to find their own unique sound.




Wednesday, July 05, 2017

Representation


Recently the Decider polled LGBTQ entertainment professionals to create a list of the 50 Most Important LGBTQ TV Characters of All-Time. Decider staffer Brett White tweeted his own top 25, which has helpfully been gathered as a moment:



Brett's list included guest characters, and he referenced Jean from the "Isn't It Romantic" episode of The Golden Girls. That is an excellent episode.

I never saw it back then (1986), but I have seen it many times now. They do a beautiful job of handling the issue sensitively and balancing it with humor and playing to the characters' strengths. Someone being homosexual was often a punch line back then, in general and even sometimes on The Golden Girls, but not that episode.

(When I watch "Sick and Tired" where they address Chronic Fatigue Syndrome and think maybe they shouldn't have bothered trying to address special issues ever, "Isn't It Romantic" and "Have Yourself A Very Little Christmas" remind me that it can be done.)

It started me thinking about when I had first seen LGBT characters on television. It was the "Big Disease With a Little Name" episode of 21 Jump Street (1988).

I have only seen it once, but I remembered it as being well done. Hanson's assignment was to protect a teen with hemophilia who had contracted AIDS and who people did not want at school because of their fear of the disease. Naturally, other students assumed Harley was gay, and so that when Hanson was hanging out with Harley that they were dating, and you saw a lot of prejudice. Later we learned that Harley was gay; his parents made him blame it on hemophilia because they wanted to avoid the judgment that came with that. (That didn't really pan out.)

Looking back I am sure that there were things that weren't portrayed accurately. Harley died during the episode, not long after he had been attending school and riding his motorcycle. I'm just not sure it would have happened that fast. At the same time, the treatment that he faced (surely inspired by Ryan White), the fear to be open about his sexuality, Hanson's reluctance to drink from an unopened milk carton that Harley had touched (and how much that hurt Harley), and Harley thinking about killing himself instead of letting the disease take its course all felt pretty real. In the last scene, when Harley's mother called Hanson to tell him that Harley had died, and that Harley had said to tell him it was okay about the milk, that was pretty devastating.

I started wondering if other people had remembered it and been affected. I did find one post on it, but the writer spent a lot of time on the prejudice people with hemophilia face. A commenter asked whether she'd missed that he was gay, and the writer was really mad about that. She thought they took the easy way out.


I disagree with her characterization of it as the easy way out, but it only reinforces the point about representation. It had meant something to her to see parts of her struggle there, and then it felt like they took it away. It has become somewhat easier for LGBTQ people to find their stories, but it's still not that easy. I left off the IA because there is not much representation for them at all. That doesn't mean that if you are straight but have a dangerous disease or disability that the straightness is enough to feel included.

That goes back to what I wrote yesterday about needing many different movies with many different stories being told. It's important for us to see stories that are not like ours to have empathy, but it is also important to see stories that are like ours to know that we are not alone. It's not even necessarily representation for a small group, because what if there are lots of people who have the same struggle but they are all scared to talk about it? Or can't get anyone to listen?

Let me take one more side trip, and then I am going to circle back to Monday's post too, with the Pirates of the Caribbean ride.

Recently on The Talk they were talking about Shonda Rhimes, regarding her recent weight loss and her saying she was invisible before.


Guest host Carnie Wilson kind of contradicted her. Even though she admitted that people treat you differently when you are fat, Carnie said she has always had boyfriends and men interested in her. It kind of seemed that she wanted to make sure that was known. And yes, that is true, there are men who don't worry about that, or like it, or are at least willing to consider it, though certainly having a famous parent and some amount of fame helps.

Back to the ride. I am a straight white woman, and I am also fat. Fat women are used as a punch line a lot. The original version has a fat woman being auctioned off. Although the more conventionally attractive women are scared or sad, the fat women appears to be good with it. Still, none of the pirates want to bid on her, so when the other women are running away from pirates she is chasing one who is scared of her.

That was just one more reminder that I could never be sexually desirable. Plenty of other entertainment messages backed that up, so I closed myself off to that. It was not always effective, and there were some ways in which it was freeing, but there was damage from it.

It was also not the only possible true story, as Carnie Wilson and others have pointed out, but it was the most common and I bought it.

What we see has an effect on what we can imagine and how we feel. We should be making room for everyone in that.

Related posts:

Tuesday, July 04, 2017

Thoughts on Moana


Recently I mentioned paying a compliment late, and that directly related to Moana.

I had read many complaints about how the culture is represented in Moana, and problems people had with it. This made me reluctant to see it, but then someone I follow who has some Polynesian ancestry tweeted about it, and some of the things that she liked about it. It reminded me that there can be multiple views. Going back to yesterday, we can both appreciate and be critical of things. We should.

It was a good reminder for me that even when you are trying to do better you will make mistakes. That doesn't completely eliminate the value of the effort. There is some comfort in that.

If you are interested in more about the controversy, this is a pretty good article:


This does not include all of the complaints I have seen, and am going to go over a few. It can be okay to disagree with any of them, but it is important to listen, and not automatically discount something just because it didn't bother you.

The ocean is an important part of the movie, and it will be polluted with highly disposable merchandising from the movie. That is true. That is more about a need to step away from conspicuous consumption than any one individual movie, but Disney is a big part of that.

The movie does what it wants with what for some people is sacred religion. I had not thought of that. I think of those stories as a mythology, and one that has developed a little differently among the different islands, which I would think of as a reason for being able to assume some liberties. However, it not being sacred to me doesn't mean that it can't matter to anyone else, nor that their reverence should not matter to others. There may be a need for more sensitivity there.

These movies are always about casting off tradition and breaking with the past. There is a point to that, though that happens with European-centric characters too. Of course, in this case Moana was going against the rules of her father to go back to an even earlier tradition.

Another point was made about romance being de-emphasized with heroines of color that ended up leading to a pretty interesting discussion. Beauty standards are often held against non-white women, and it does affect who gets love scenes across a wide spectrum of entertainment. However, there has also been a tendency to counter sexist tropes by having current princesses get rescued less and be less about the prince.

That of course is a reminder that you can't represent everything in a single movie. We need to have many movies, and they need to not all be the same movie so that we can see many different things and understand many different situations better. Representation itself will be the main topic tomorrow.

For now, I have finally seen Moana and I really liked it. I ended up being more taken with the environmental aspects. If you remove the heart from great power, and the power to create, that can become both a source of violent danger and something that will slowly poison all life. It can easily happen due not to any bad intent, but simply due to a quest for glory (or money) that doesn't get well thought out. That there is hope for restoration, and how beautiful that restoration was, is again something that was a hopeful sign for me.

Monday, July 03, 2017

Disney is right to change the Pirates of the Caribbean ride


I realize this is a controversial opinion. Still, for those who haven't already heard of it and started gnashing their teeth, here is a brief overview.


I had to search a little to find an article that didn't make a lot of disparaging references to Disney being politically correct. Now, some of you could very reasonably be thinking that of course Gina, with her bleeding heart liberal ways, is in support of this politically correct move. That would be an oversimplification anyway, but also this news dropped at an interesting time.

I have been reading a little about pirates. It was because of a book, Rejected Princesses: Tales of History's Boldest Heroines, Hellions, and Heretics by Jason Porath. There were more women pirates than I suspected.

I always knew about Mary Reade and Ann Bonney - they are depicted on the walls for the Pirates of the Caribbean ride queue. They weren't even in this book. I knew about Ching Shih (who was in the book) from a Feminist Frequency video, but there were so many others I had never heard of: Alfhild, Grace O'Malley, and Sayyida al Hurra, (as well as some seafaring women who were not pirates) until I was wondering exactly how common it was to be a pirate and a woman.

That is hard to answer, because you really only get known if you were a captain, but there are estimates that it was as many as 1% during the Golden Age of Piracy (roughly 1650 - 1730). This at least makes the "redhead" being a pirate reasonable enough.

That led to me thinking about the question of historical accuracy in general. Even if wench auctions were common, there could be valid reasons for not depicting them in a ride that is taken for fun and does not delve into the issues of what is being represented. However, the more I read, the less likely a wench auction seems.

This is not a testament to the chastity of pirates; they used brothels all the time. Knowing how some people respond to fleet week even now, you know, I'm sure they could get company. However, it appears that they were much more likely to loot a ship than a town (completely logical), and at least during the Golden Age if the ship surrendered they just took the goods without killing anyone. If it didn't surrender and they fought they were likely to kill a lot of them, with captive most likely to be pressed into service on the ship or sold as slaves, and predominantly men. None of this is making pirates good people, but it's still not coming up with a lot of raping and treating women as chattel.

This means that if you are sold on historical accuracy the entire ride needs to be changed. If you are just sold on women being property, existing solely for the use of men, I would like to hear your cogent arguments for why Disney should continue that legacy.

Not long ago I wrote how the women of Hidden Figures should have been around in Apollo 13 and The Right Stuff, but there are people who would argue that the inclusion of women (especially Black women) there would have been political correctness gone wild. In actuality that would have only been honesty and giving of proper credit.

I know there are people who resent the imposition of modern values on something classic, but I'm not sure that's what this is. First of all, if something that was once widely accepted is clearly wrong, we not only can say it, we must say it. The rise of neo-Nazis and slavery apologists makes that more necessary, not less.

In addition, there are times when it seems like 1960s America was more sexist than the 18th-century New Orleans. Granted, that's not a full picture either, but it's at least worth thinking about.

Remember, the 1960s came not long after World War II. Magazines and products were trying to push women away from factories and military positions back into the home, to have no other aspirations than being good wives, mothers, and shoppers in a way that had not been the case before the war. In addition, Freudian psychologists had fled Europe and brought all of their stupid ideas about penis envy and icebox mothers here. Men from that time period were quite capable of getting it wrong. We can move past that and still have a good time, I promise.

Back to Feminist Frequency, one thing Anita Sarkeesian regularly points out is that you can appreciate something while still being critical of it. That is worth keeping in mind. I'm glad if you have had fun on the old ride, I have too.

That being said, if no longer having images of women in a coffle - some weeping, some scared - with no control over their fate unless they can escape... if that being gone ruins it for you, why is that? That's worth thinking about. If it's just a knee-jerk reaction to any change, even one for the better, that's worth thinking about too. Those thought patterns will come up again and again.

Related posts:


Friday, June 30, 2017

Band Review: Russ Still & the Moonshiners


Russ Still is a musician with many years experience, currently playing with the Moonshiners. The band appears to be a family affair, with two other Stills (Cam on piano and Ben on guitar) in the mix.

They self-describe as bridging the ground between country, Southern, and classic rock, which seems fair. The first thing to come to mind is that the music is country, but you can hear other influences and it is not alienating for those who do not care for country.

Individual songs did not stick out for me, but that includes that nothing made a negative impression. I suspect that they are a band best enjoyed live; a show on a sunny day with cold drinks feels like it would be a good time.




Thursday, June 29, 2017

Band Review: SeaWolves


SeaWolves are intense. Drums (augmented by bass) are generally somewhere in between a military tattoo and gunfire, with vocals delivered in throaty growls.

Based in Colchester, the band's inception started with Seann Dunt (previously of Postmortem Promises) exploring his interest in drums after spending twelve years on guitar. His past experience may help them craft their songs more effectively.

If you are interested in metal, especially toward the deathcore side of the continuum, you should probably check out SeaWolves.



Wednesday, June 28, 2017

Humor me


Just over two years ago I read about Native actors walking off of the set of Adam Sandler's The Ridiculous Six.


I supported their action. A big part of that is that Native American women have the highest rates of rape and assault. Giving Native women names that are sexually dehumanizing supports that. Art matters.


The other thing that I couldn't help but think was that it didn't sound that funny. I was recently able to see that was true. I saw a clip, and it was so stupid. They also oversold the joke, indicating that they knew it wasn't funny enough on its own, but the producers still thought it was worth alienating a group and losing cast members over.

I have enjoyed many Adam Sandler films, though I have seen enough stupid humor that I can believe he would stick with a stupid joke over doing the right thing. What I really want to get at is this idea that political correctness is the death of humor.

I like Seinfeld too. I have enjoyed many episodes of his show. Nonetheless, if he and Chris Rock and Larry the Cable Guy don't want to play college campuses because the college kids are too politically correct and they think that is a problem with the college kids, they are wrong. Jokes that rely on racism and sexism are the lowest-hanging fruit there is. If those kids are saying that you need to do better and you can't, that's your problem.

I don't particularly like Ralph Nader. I think he has done some good things, but I am afraid he is undoing them really quickly. When you say the two parties are exactly the same because you are mad about the flaws in one party, it really strengthens the party that is mostly likely to undo the Clean Water Act, the Freedom of Information Act, the Consumer Product Safety Act, the Foreign Corrupt Practices Act, the Whistleblower Protection Act, and the National Traffic and Motor Vehicle Safety Act. That was true even before the guy who suggested that for each new regulation you have to roll back two got in.

I referenced Ralph Nader in yesterday's post on trigger warnings, but in the same interview he also spoke against political correctness and lamented the loss of ethnic humor joke books because that's how tension was defused. (Also a problem, not being able to catcall women.)

No, the tension that you have now is that the people who once never had to question that they were on the top, or that there were any problems with them being on the top, now are having their superiority questioned. Previously they didn't have to say they were superior, because it was understood. They didn't have to think about who was below and whether there was anything horrible about that.

It happens all the time, especially with older white men, that you ask them about the achievement of someone else and they just can't admit to it. So Jerry Lewis doesn't think that women are funny - including Lucille Ball - because women are baby-producers and can't be aggressive enough. John McEnroe sounds every bit as asinine as Bobby Riggs, saying that Serena Williams would be 700th in men's rankings. And then they walk it back, because there is all of this flack they weren't prepared for, but it hurts them to believe that accomplishments can be for someone else, too.

There is a level of oafish stupidity there that is unlikely to come up with really great humor. Sure, sometimes the stupid stuff gets a laugh. Also, sometimes you can subvert the old racist and sexist tropes and mine the humor out of turning them upside down, but there's a lot of stuff going on in the world that you can joke about. Is pushing down people who are already being pushed down really the way you want to go? Is that the loss you are going to mourn?

I remember a bit from Eddie Murphy when he was chastised by Bill Cosby (paragon of virtue) for using the F-word in his comedy. He called Richard Pryor to ask about it. I'm paraphrasing, but...

Pryor: Did the audience laugh?
Murphy: Yes.
Pryor: Did you get paid?
Murphy: Yes.
Pryor: Then tell Bill to have a Coke and a smile and shut up.

They're not really talking about the same point, but some of the self-assurance comes from having an audience. If there's not one for you, or your current audience is limited, is that the audience or is that you?

Frankly, we don't have enough people who are done being sexist and racist yet. If college students are at least being more discriminating in their humor, I am going to be grateful for that growth.

Related links:



Tuesday, June 27, 2017

Trigger Warnings and PTSD



This is something I have been thinking about. I didn't think I was quite ready to write about it yet, but I saw today was PTSD Awareness Day. It must be time.

Another thing I have been thinking about is knowing when someone is operating in good faith when you are disagreeing about something. When you point out that something they are saying or doing is rude or inhumane or in complete opposition to fact and they apologize for hurting your feelings, that has been a pretty good negative indicator. Reducing everything to hurt feelings is not a sign of someone having a sincere interest in understanding anything.

I can't help but notice that when people are dismissive of trigger warnings and content notifications, it does not take long for them to talk about special snowflakes whose feelings are so sensitive. Let's be clear on this: the purpose of trigger warnings is to let those suffering from Post Traumatic Stress Disorder make a plan for how they will deal with the material.
People use the word for other things, like a lot of people with addiction conditions will use it for things that might tempt them to relapse, or people will use it jokingly in the same way that pretty much every mental health term gets used inappropriately. Those are things that have come from the term being used, but the value of the practice needs to be evaluated against its purpose.

Trigger warnings don't exist because today's college students can't handle challenging material. It doesn't give students a free pass on studying some materials. Ideally, it will prevent them from going into a flashback in class, and allow them to decide how to handle study materials. That could involve making sure to read some materials in a place that feels safe, or perhaps to have a friend or the medication that one takes for panic attacks nearby. It could mean skipping a specific class session and reviewing notes later.

This seems to be poorly understood. Neil Gaiman showed no understanding when he chose his book title. Ralph Nader doesn't get it. Let's talk about it.

I have seen video games with signs warning of flashing lights that may induce seizures; that is helpful information to have. I have also gone into plays and operas where there was a sign posted saying that there would be gunfire or strobe lights during a specific act. That is a trigger warning. It's not obtrusive, but for someone who has been in a war zone it can be good to know.

Allowing susceptible audience members to avoid flashbacks can be good for the entire audience, in much the same way that trigger warnings can benefit the entire class -- not all flashbacks will be disruptive to others, but that is something that can happen. Some people will still really resent it, possibly more because of the association with academia. Let's look at that.

Who is most likely to have PTSD? The first group is rape victims. Does that matter for a college campus? Given the amount of sexual assault that happens on campus, yes. Sure, a lot of them drop out after their rapes, but not all of them, and not right away. Apparently we think rape is a pretty bad thing, because I have read that calling a person a rapist is the worst thing you can say about them, right? I mean, look at how much Brock Turner suffered, compared to the woman he raped.

Reporting for rape victims has a lot of cons outside of school, but many colleges make it worse. It was already bad, and funding is being cut. Putting it all together the message is clearly that not only would we rather let women be raped than do anything against rape culture, but also that if you are having a hard time after your rape, we resent even minimal accommodations for helping you get through this difficult time. Not only women are raped, but perhaps that is a side effect of misogyny.

It's not just rape survivors who get PTSD though, is it? One fun fact I learned today is that an estimated 20% of firefighters and paramedics have PTSD. That might not seem like a big campus issue, but I have known several people who worked their way through school as paramedics. They could be a significant part of the student population. Even more people pay for school by joining the military, which is a great place to pick up PTSD.

I understand this even less; we are supposed to reverence our veterans, right? They are our heroes, called upon whenever we get mad that someone is not standing for the National Anthem. Maybe I have had some suspicions about that being a crock when you consider the amount of homeless veterans, I mean, there might be some other signs that it's just lip service, but I want this thought about:

If trigger warnings are helpful for veterans who have been injured (maybe a psychological injury, but frequently in combination with physical injury) serving their country and now trying to get an education, are you going to be against that?

And if all of these thoughts are new, and you really believed the only potential reason for such a thing as trigger warnings is modern college students being too soft, why were you so quick to believe that?

And if you have dismissed something that seems like a liberal thing so easily, but can see the value of it now, are there other things you might be missing? Because a lot of this connects.

Monday, June 26, 2017

Mizuki and Miyazaki



I finally watched My Neighbor Totoro yesterday.

Perhaps the first point I should make there is that I am always culturally behind, for various reasons. If you think of any movie and guess that it's something I would want to see - no matter how right you are - there is probably only a 30% chance that I have seen it. I do spend a lot of time thinking about the ones that I see.

(Given my rate of successful viewing, it is rather impressive that this is the fourth Miyazaki movie that I have seen. The others are Spirited Away, Howl's Moving Castle, and Ponyo.)

I did see similarities between Totoro and Miyazaki's other works, but what it reminded me of the most was Shigeru Mizuki's manga NonNonBa.

For those unfamiliar, NonNonBa is kind of a memoir. It is not meant to be non-fiction, exactly, but the key part is how much of what happens is infused with spirits. There are various kinds of yokai everywhere, some are more like ghosts but some are more like nature spirits, and they are all a part of normal life.

In My Neighbor Totoro, a father moves his two young girls to the country to be closer to where their mother is recuperating from an extended illness. They befriend a woodland spirit, possibly a guardian of the woods.

It is a smaller story than the other Miyazaki films I have seen. There are no floods with prehistoric creatures rising from the sea, no one enters other dimensions and has to rescue bewitched parents, and there are no enchanted princes or wizards. Two of the encounters with Totoro end with the girls waking up, where it could have been a dream. It is truly just everyday life, infused with wonder and magic that helps make the fear easier.

It is scary having your mother sick. It is lonely not seeing her. Part of what impressed me was the honesty in the depiction of the girls. They are generally cheerful and get along well, but that the four year old might sometimes cry, and neither be able to stop or explain it, and that the older one might act even older most of the time and still at least once lose it under stress and yell at the younger one to grow up - yeah, it's like that.

One thing I loved is how the father just rolled with it. There was no endless conflict of telling the girls that it was just their imagination. That did not seem to be so much a matter of his indulgence, but an attitude that you can't rule those things out. So when you stop under a shrine to get out of the rain, you ask the resident of the shrine for permission, and you can stand in front of a tree and thank the guardian for his protection, even if you are not seeing him and may not see him - that's just good manners.

That's a lot of what reminded me of Mizuki. Maybe not everyone believed in the yokai, and maybe no one but Shigeru believed in them as much as NonNonBa herself, but they were still accepted as at least kind of real.

I don't know how much of that was true culturally for them. Mizuki was 19 years older than Miyazaki. Both were influenced by wartime events, though Mizuki's experiences were worse, losing an arm after being caught in an explosion.

Mainly I am reminded how childhood both is and is not idyllic. You can shriek with laughter just running, or spotting fish in a creek. You also cannot fix it if your parents are sick, or worried about money, or don't understand you.

A lot of if can be helped if you still see some magic.

Friday, June 23, 2017

Music Review: Fluttery Records Sampler


While there can be different factors that make reviewing some bands easier or harder, it is nonetheless pretty simple that if a band or band member follows me, they get on the review list. When an agent or label follows me, that becomes somewhat trickier. That happened in January when I was followed by Fluttery Records.

They have a lot of artists, but what they also have is a pretty extensive free sampler up on Bandcamp. I decided I would review that.

One of the first descriptors they use is ambient, generally right after post-rock. That could work for some of the tracks, but don't let it put you off. Most of the tracks have tunes and melodies. While they might in some cases take more inspiration from classical music, incorporating violins or non-traditional instruments, most bands still sound capable of a broad appeal.

That may come about in surprising ways. For example, "Irradia" by En Plein Air starts out with a dark bass line that could easily start a Three Doors Down song. Instead it brings in violin, then a counterpoint to that with dramatic percussion. The song becomes an instrumental meditation that leaves you with heightened alertness and senses. The overall effect is not rock, even if many of the track's individual elements would fit comfortably into rock.

It is not unusual for the tracks to be instrumental, and often quite long, fitting in with Fluttery's experimental side. That is not a rule; "Molecula's Dance" by Olekksii runs barely more than a minute. They may also pull in more bands from other countries, though I may just be assuming that based on some names.

For the record, if I had decided to listen to the sampler for the purpose of picking an artist to review (as opposed to reviewing the sampler) I would probably have ended up reviewing Mooncake or Neko Nine.

But you never really know.





Thursday, June 22, 2017

Band Review: Tooth & Nail



I pushed out my review of Tooth & Nail so that they would have two songs out instead of one. It still feels hard to review them with only two.

They are still a real band, with several dates scheduled. They simply aren't focusing on recording right now. I am reviewing them anyway because I reviewed Daniel Pearson a long time ago (he was number 19). I can't keep track of everyone, but Pearson has stayed on my radar, and when I saw he had a new project I wanted to support that.

And I like those two songs. There is a gritty blues feel to them where it makes sense when I see the band will be playing in Manchester. In addition, if I think about Pearson, there is a force and groove to the Tooth & Nail songs that is different. They remind me how collaborations can bring out different sides of people, and different songs. Drummer Mike Neilson and Pearson appear to be a good fit.

Some of my praise for them is anticipation; I don't know that I will ever be in England and able to see them play, or that they will come here. They may record more songs.

If they don't, there are still these two. If I don't see them play, others will. Sometimes it is simply good to remember that there is good music happening all over the world. That constant is one of the joys of life.

That's a nice thing to remember as I post a review for band #451.



Wednesday, June 21, 2017

Speaking up


There was a trend happening on my Twitter feed, but I didn't realize it early enough, and now I can only find references to one of the stories.


One thing that seems worth mentioning is that asking someone a question about their movie, at a place for asking questions, is not really an attack. It is reasonable to believe that if the questions were answered honestly, it would reveal some things the director should have thought about more, and maybe managed differently, but calling that an attack displays a terrible fragility.

What struck me - because this was the first of the incidents that I read - was how hard it was for Bianca to say that, and how much Amirpour made it worse. The crowd cheers would have worsened that, but the later hugs and thanks in the lobby show that the question was important and worth being considered seriously.

If some of those people who approached Bianca later had cheered for her, or somehow registered their support more vocally then, well, Amirpour probably would have felt even more attacked, but it could still do some good.

Let me recount the other two threads and we will try and get somewhere with this.

First of all, Bianca's story reminds me of the story of the ramekins, and how everyone who had been silent before was supportive later after one person spoke up.


This next story does take place in retail, with a woman at a store. There were many customers, and one line was moving at regular speed, but the other was stalled by an online shopper. Having used a coupon to purchase two items online, she was returning one in store. That was not a problem. She wanted the discount to only apply to the other item, so that she could get a full refund on the one she was returning. That was a problem. There was no problem with her getting back the amount she had spent on that item, but in her efforts to be refunded more she was getting pretty abusive to the workers, who were young women of color.

The woman telling the story had worked retail, and also she was older with more experience and not employed by the store. It was easy for her to tell the complainer - which was an interruption - that she was being ridiculous. I am sure that woman was angry with the interference, but she was also rightly embarrassed and dropped the matter.

The workers were not angry with the interference and thanked her profusely. I relate. I worked retail for a long time. It wasn't always even that people truly wanted impossible things; sometimes they just wanted to pick on someone who couldn't fight back. It could have helped if someone else told them they were awful.

The final story was another Q&A session after a table read. Initially no one spoke, but one person asked if it was intentional that all of the women were either sexualized or someone's mother.

It would have been very easy for the creators to be offended here, like Amirpour, and like Ridley about Guerilla. Instead they ended up having a good discussion, and made some changes. Some people can handle it.

Despite those last two stories having positive conclusions, at least one of them described a level of discomfort similar to Bianca's in the first story. It is not easy being the naysayer, especially when you can't tell how many others are thinking "nay". Someone has to go first.

Just Sunday, on a different blog, I was writing about how necessary it is to accept discomfort; ignoring the issues makes things worse in so many ways.


In my younger days, I would have said that you just have to go ahead and be the one to speak up. I still think that is true for myself, and not just for bad things. I delivered a late compliment not too long ago, which I know seemed weird. The reason I had not paid it when I first thought of it was that it didn't seem important, and she might not even see it (it was via Twitter). However, seeing her take some abuse for something else, I realized that she might see it, and if there is positivity I can put out there, I better do it. (So if a lot of the things I say seem pointless, I get that, but I have to say them anyway, because what if they aren't?)

While I am pretty convinced that I need to speak up no matter what, I do not have the right to demand that of everyone else. Some people have a lot going on and are tired. Some people will be open to a lot more abuse once attention is drawn to them. Bianca has gotten support, but that is not all she has gotten. Sometimes you step in to stop verbal abuse and the abuser brings out a knife. I can't tell anyone else their responsibility.

There are still things anyone can do. The support offered afterward means something. Not cheering the shutting down of someone making a point means something. At least stopping and thinking about criticisms you hear, and being willing to consider that a racist hierarchy reinforced for centuries might subconsciously come through in the things you do matters.

And I do have another way of thinking of it thanks to a friend.

My friend Jennie is very conscientious. She always seemed very sure of herself to me when we were growing up, so I was surprised to learn the depth of her understanding of what it is like to be unsure. When she has had discussions with her children about kindness and bullying and all of those things, she told me that she tells them if you don't want to be a leader you can still look for good people to follow. A lot of kids just end up following the strongest (or the loudest), but her children will be empowered to make better choices than that, and choices that work for multiple levels of confidence and strength. I appreciate that.

We all have ways we can contribute, and we can do a lot of good. It starts with thinking about it.

Tuesday, June 20, 2017

Fallibility


I am a little over-stimulated right now. It is a combination of worries, news items, and recent media consumption that has given me too many thoughts. They are related, so they could go together, but there is so much there that it would be too much. If I separate them into different posts I fear they will either be overly repetitive or miss something crucial.

That led to a thought this morning that whatever I write today will suck. Well, that's always a risk.

I decided to let it be a reminder that we are all imperfect, and can't get it right all the time, often for very understandable reasons. That led to a topic.

I have written about intersectionality before, as well as centering Black women. Those are two connected points.

As we work toward equality and liberation, we remember that oppression comes through different vectors, and some people will be caught at intersections of different forms of marginalization and abuse. Therefore, while you may understand one kind of oppression that affects you, you may nonetheless be clueless about one that doesn't. A white woman may have a good grasp on the issues of sexism, but not racism. A Latina woman may understand those, but not be clear on the harmful nature of anti-Blackness. A white man with a physical handicap may not get any of those, but still have some ideas about ableism.

It doesn't have to be that way, but these are easy roles to fall into, especially when the various forms of marginalization are so thoroughly supported by society's infrastructure. Honestly, it hasn't really been that long since I did not know that ableism was a thing. I know about it now, and I can see examples, but I probably still miss a lot because I can.

When we center Black women, we take on three of the strongest prejudices; that would be reason enough to do it. In addition, we often find that they have a greater understanding of the issues and have been working to remedy things all along. Their experience is a great reason to seek guidance from them.

The connection I want to make there is that of course they understand more - they have to. They don't have easy ways to escape it.

It could be possible for them to not be working actively for equality and liberation - they could try and lay low instead - but you will find many Black women on the frontlines working. Then their work co-opted by white women or Black men or someone who is in a place that society more easily recognizes. This is once more a reason to focus on Black women, because when we let that work be co-opted we are missing the point.

Those points are important to me, as is the point that when you are in a bad situation you can choose to try and raise yourself and others, and that is a good thing to do. The point I am going for, though, is that even when you understand some important things, you can easily miss other important things.

Therefore, you may get things like George Takei passing along an ableist piece of humor, or Chimamanda Ngozi Adichie getting it wrong on transgender issues, or Emma Watson criticizing Beyoncé, because they understand one side but do not realize the parts they are missing.

We do not have to automatically discard anyone who messes up. I still want to read We Should All Be Feminists. Not knowing what you don't experience is easy and common.

We do not even have to automatically discard someone who messes up and gets angry when they are corrected (which happens a lot). We can hope that they will stop and think. A good thing to do when corrected is to ask yourself if there is a point to the correction. That is something everyone can do.

We can also all be critical. If someone you admire says something that seems wrong, the choice is not between ignoring the error or ending your admiration. We can look deeper.

Sometimes we will find people that we should discard. Maybe we will notice that the apology isn't really sincere ("I was tired."  "I'm sorry if anyone was offended."). Maybe we will notice that it wasn't just one slip-up on an area outside of their experience, but that they say racist things or appropriate other cultures all the time*. Then maybe that is someone that we stop watching, or buying, or supporting.

Sometimes when we make that criticism, the response will be something along the lines of it being unfair to always expect perfection, or not good to never be able to take a joke (I have some thoughts on humor), but that is not what is being said.

No one is perfect, but we can be better. Looking around at the world today we clearly need to be better. For that to happen, at times correction is required. It doesn't feel great when it's aimed at you, but did you really think you were perfect?


(*Yes, I personally am thinking Bill Maher, Katy Perry, and Amy Schumer, but that is in no way comprehensive and maybe it is easier for me to dismiss them because they don't really appeal to me anyway.)