It's also a perhaps ill-advised homage to their song
titles, but it felt like the right way to go, and it's not really everything,
because there are some things that I am just going to mention to say that I am
not writing about them now, just so you know.
My first thought getting out of the concert was that
there is nothing like a good concert to cement your love for a band. I had sort
of been coming to that realization anyway, having been so blessed with good
concerts over the past few months, and it just crystallized there. It was a
really good concert.
Where I get to my disclaimer, though, is here, where I
need to explain exactly how new my love is. For a long time, I would hear
"Fall Out Boy" and picture Gorillaz, because I guess it looked like
maybe they were supposed to have some radiation poisoning going on. I didn't
get the Simpson's reference until I read it on Wikipedia. Obviously, this is
embarrassing.
Several months after I fell for My Chemical Romance
(March 2012), there would be links for Fall Out Boy videos, that I eventually
clicked on, starting with "Dance, Dance", which I liked, and
"Sugar We're Going Down", which haunted me. By mentioning those
songs, I am clearly identifying myself as one of those fake fans who only likes
mainstream stuff, but I just kept clicking on more, and at some point I
realized I was growing to love them.
(MCR has been a real gateway band for me. I'm not sure when my love for Fall Out Boy kicked in, but it was definitely no later than February 2013: http://sporkful.blogspot.com/2013/02/the-year-of-magical-concert-going.html)
(MCR has been a real gateway band for me. I'm not sure when my love for Fall Out Boy kicked in, but it was definitely no later than February 2013: http://sporkful.blogspot.com/2013/02/the-year-of-magical-concert-going.html)
The logical thing to do at this point was to follow the individual
members on Twitter, and this led to finding out that they were on hiatus, but
it also led to knowing when the hiatus was over. This was exciting, and getting
concert tickets was exciting, but here is where the big disclaimers come. I did
not like the videos, or the first song I heard off of Save Rock and Roll,
though I still liked the album.
So the disclaimer is two-fold. One, I am a really new
fan. There may be obvious things that I am missing here, and I may say things
that everyone else has already said, and I won't know. Sorry. Two, this will
not really be everything, because I am not going to go into some things now.
I probably do have things to say about clubby radio
mixes, and the current state of music videos. I have things to say about the
irrational stupidity of deciding that a band being successful, growing as
musicians, or possibly both (the audacity!) makes them sell-outs. And I
probably have some things to say about whether Rock and Roll needs saving, and
if so, how to do it. Fall Out Boy can be a reasonable part of any of those
discussions, but dragging those topics into a discussion of Fall Out Boy will,
I feel, take away from the band, which I don't want to do because I love them,
even if I am just a neophyte.
So, in my rambling and disorganized way, I will now try
and get into just the band and their music, based on the albums and the
concert, and things I love about them.
I love that they brought David Boyd (New Politics) up on
stage. It is really easy to abuse opening acts, but good people don't do that.
Benign neglect is also an option, but this was really supportive, and that may
be admiring them more as people than as musicians, but I'm okay with that. They
also brought a roadie (I think) up to sing for a bit. It's also easy to abuse
road crew, but again, good bands don't.
I love the ridiculously long song titles, but also that
they don't always do that. For example, with "Thriller", that is an
unusually short title, and you think it's going to be like Michael Jackson's
"Thriller", or at least reference it, and it is totally it's own
thing.
I love that little laugh in "Young Volcanoes".
I believe it signifies that the thing they have just promised to teach us is in
fact not something that they can teach us.
I love the Vines they have shared with us via Twitter.
Someone should put together a collection of those to "Thnks fr th
Mmrs" as a thank you to both Fall Out Boy and Vine, which is probably
going to fall by the wayside now that Instagram is doing video. However, that
needs to be someone with some technical skill, not me.
I loved the slide show during the performance of
"Save Rock and Roll". A lot of the lights and video during concerts
doesn't add much, but this did. And I can't really say that it was that flashy
a show anyway, so that's not the point that I'm making, but this in particular,
was good. It showed respect to tradition, and emotionally it got me too, mainly
because of Kurt Cobain and Joey Ramone. It tapped into something.
Let me say about the concert that there was a lot of
heart in it, and consideration for the fans. They passed out water twice,
which, I'm not sure if it worked as intended, but they were thinking of us,
also shown when they asked everyone to take a step back, and when they would
stop playing for a while, and talk, they said good things and I believed that
they meant what they said.
I should also add something about that first track that I
hadn't liked so much, "My Songs Know What You Did in the Dark". I
didn't like the radio version, and I had only listened to the album a few times
before the concert, focusing more on the rest, but during the concert when they
did it, it was a revelation. That is a great song, and probably the one that
stuck with me the most from the concert. I hadn't been expecting that.
Other standouts from the concert, for me, were "Hum
Hallelujah" and "This Ain't A Scene, It's An Arms Race." Oh, and
probably "The Phoenix." The thing is, there are songs that you love,
and you expect them to do a good job, and they do, and that's great, but then
there are songs that you don't expect, or you begin to see the song differently
during the performance, and it's different, and it sticks with you more, even
though the other things were great too.
Historically, I admit that their debut, Take This To
Your Grave, is my least favorite, but that's not saying that it's a bad
album. For me, and individual mileage will vary, I feel like there is a sort of
coming together with Under The Cork Tree, where there is a stronger
sense of identity, and performing at a higher level, but what I love is that
they didn't stop there. They build on their experience, and continue to
develop. They should.
It does feel like there is some growing disillusionment
through Infinity On High and Folie à Deux, but it would be strange
if there wasn't. Therefore, I am glad that they took the hiatus, and based on
the quality of Save Rock and Roll, I feel like it gave them what they
needed.
I will now throw out a few observations that are probably
pointless, touching on each band member.
Drummer Andy Hurley has been working out. I know this
from Twitter. It was interesting to me how powerful he seems playing the drums
now. And it never seemed weak or sounded weak before, but now I just watch and
sense power. I seriously don't know what I am saying here; maybe someone else
can figure it out.
Guitarist Joe Trohman has probably been working the
hardest during the hiatus, doing two other bands, With Knives and The Damned
Things. (I prefer The Damned Things for sheer adrenaline value.) I am glad that
they are making more use of him in the writing now. I feel like those
additional experiences and the person who he is makes them a better band. If
that sounds like it is putting any other member down, it is not.
Singer Patrick Stump has such an amazing voice. Has that
been said before? Almost certainly. I think it is a combination of skill and
work, but also with just some natural gift. One video he posted doing some
warm ups actually had me wanting him to record an album of standards; how lame is
that? I mean, a lot of rockers do it, but usually after they hit fifty. He
would sound great, though. He has a great instinct for music, and it just feels
like there is a lot of gentle peace and kindness radiating from him.
Bassist Pete Wentz has such a clever mind. He's not as
showy as he could get away with, which is great, but he's really smart, and
will take you to unexpected places, and he's a trooper.
So maybe what I am really trying to say here is that with
the different skills and personalities that they bring, the whole is greater
than the sum of the parts. This is a well functioning team, and I am glad they
are back.
Maybe this was really a love letter.
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