I'm late,
as usual, and there are some things about that which I will cover over the next
two days. Today I just want to go over the books.
Spider
Woman's Granddaughters: Traditional Tales and Contemporary Writing by Native
American Women,
edited by Paula Gunn Allen
There were
sections that were really beautiful and others that were less so, which is not
too surprising for an anthology. What the editor was trying to do was balance
related themes among traditional and contemporary stories, so that was
interesting to see. I started to think differently about Coyote, and that was
strengthened by the next book.
She's
Tricky Like Coyote: Annie Miner Peterson, an Oregon Coast Indian Woman by Lionel Youst
Peterson
worked with a college professor on preserving two languages and the folklore,
so while the book is mainly her biography, it also include one long story she
dictated that was about the line of Tricksters, of which Coyote was only one. Reading
these two books so close together was very helpful.
Los
Versos del Capitan
by Pablo Neruda
I have
previously tried to include something from Latin America, and having recently decided to
include poetry, this seemed like a natural fit. Reading it didn't feel right,
though. I'm not sure if that's because it was not "Indian" enough, or
if I should have been reading the poems in English instead of Spanish so that I
could be more analytical. (My Spanish is
decent, but it has its limits.) I don't regret reading it, but I ended up needing
something else.
The Last
Stand: Custer, Sitting Bull, and the Battle of the Little Bighorn by Nathaniel Philbrick
This book
is highly recommended. It switches back and forth among the different
participants, but is easily followed, with good background information and a
feeling of humanity, which is too often in short supply.
The
Business of Fancydancing by Sherman Alexie
Since I
still needed poetry, and I had recently read an article on this, it seemed like
the way to go. It is not solely poetry, because some of it has more of a prose
form, though even those pieces often are kind of non-linear and function rather
like poetry.
Scalped,
Vol 1: Indian Country
by Jason Aaron
I kind of
hated this. It's not that it's not well done, but there is so much ugliness
that it feels like an assault. Lots of language, lots of violence, and deeply
flawed characters.
The
Killing of Crazy Horse by Thomas Powers
This covers
a lot of the same ground as Philbrick's book, but is not nearly as fluid. There
is a lot of repetition that drags the storytelling down. It did give me great
sympathy for Crazy Horse, and as my reading of it overlapped with Alexie's
work, which frequently refers to a Crazy Horse spirit, the reading did work
together.
I'm not
sure what I will read this November (I really think I can start on time this
year). However, I do have three books that I want to do for pre-reading.
1493 by Charles Mann was on the list for
this year, and then I realized that I was kind of overdoing it, especially when
I had other things to work on. I need to get through some stuff, and then I
will read it before November.
Also, while
I was reading She's Tricky Like Coyote, it referred to Annie's husband
working in the lumber camps, and though he was white, apparently a lot of the tribe
members would take seasonal jobs there. I then remembered seeing the play One
Flew Over the Cuckoo's Nest during my first reading month, and being
surprised at how much it was about Chief Bromden, because from just hearing
about it, it seems to be all McMurphy and Nurse Ratched. So, I will need to
read that book and Sometimes A Great Notion. I went to University of Oregon, I know a few Pranksters children;
I'm way overdue for reading some Kesey. Those will be background, not part of
the reading, but it could be helpful background.
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